Φώτα moto ποδηλάτου
Color
- BlackBlack 2
- No Color 39
- Κόκκινο 1
Size
- No size 42
Το προϊόν “Λάμπες LED μοτοσυκλέτας – 3101145/3 – 310615” έχει προστεθεί στο καλάθι σας. Καλάθι
Προβολέας μοτοσυκλέτας LED – 3104314B/A1 – 310533
Προβολέας μοτοσυκλέτας LED – 3104317/1 – 310534
Προβολέας μοτοσυκλέτας LED – 3104411/1A – 310538
Προβολέας μοτοσυκλέτας LED – 3104412/2 – 310539
Προβολέας μοτοσυκλέτας LED – 3104413/2 – 310540
Προβολέας μοτοσυκλέτας LED – 3104417/2 – 310543
Προβολέας μοτοσυκλέτας LED – 3104537 – 310547
Προβολέας μοτοσυκλέτας LED – 3104542 – 310550
Προβολέας μοτοσυκλέτας LED – Σετ 2Χ – 3104707 – 310551
Προβολέας μοτοσυκλέτας LED – 3104710/2 – 310552
Λαμπτήρας LED μοτοσυκλέτας – 3101125/2 – 310608
Λαμπτήρας LED μοτοσυκλέτας – 3101125/3 – 310609
Λαμπτήρας LED μοτοσυκλέτας – H4 – 3101115B/336 – 310610
Λαμπτήρας LED μοτοσυκλέτας – 3101129/3 – 310611
Λάμπες LED μοτοσυκλέτας – 3101143/2A – 310612
Λάμπα LED μοτοσυκλέτας – 3101143/3A – 310613
Λάμπες LED μοτοσυκλέτας – 3101145/3 – 310615
Προβολέας ποδηλάτου LED – T0605 – 506051
Προβολέας ποδηλάτου LED – QX-T2306 – 523065
Προβολέας ποδηλάτου LED – T0503 – 505030
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.